The short stories The Tell-Tale heart and The Cask of Amontillado by Research Paper

The ill-considered stories The Tell-Tale heart and The Cask of Amontillado by Edgar Allan Poe both portrays the narrators - Research Paper ExamplePoe, in many of his short stories, magnificently combines embellished vocabulary and strong thematic plots which creates a force compelling his readers to devote their attention into his works and gauge them in deep contemplation of the immeasurable meanings and concepts embedded in the story. Some of his works are rich with repetition for a subtle emphasis of his point. His written works are cooked with phantasmagoric imagery, hard prefigurative, double-edged symbolism and skewed contextual implications (Long). There is thematic parallelism is his works such as the Cask of Amontillado, The Black Cat and The Tell-Tale Heart. The commonality leitmotif of these stories evolve in the idea of murder, revenge, issues of sanity, and the dark spirit of perverseness and evil that enveloped the characters of his plot. The repetition of words th at are subtly reminding the readers that the story is headed somewhere and the foreshadowing of events is consistently engraved in the events of the characters. Poes The Cask of Amontillado is a good exemplary for horrific suspense thriller scenes considered as one of the best short stories passim history. The story is contextually rich with ironies nevertheless contributing to the plots consistency and complete unity of the elements. Every line and spoken dialogues of the characters, Montessori and Fortunato, contributes to the totality of the performance that Poe tries to convey to his readers. Some of the most noted ironies start with the name Fortunato meaning fortunate. The atmospheric ambiance of the calculated atrocious act of revenge of Montessori to immerse his enemy Fortunato to be executed in the height of gaiety is also an irony. There is no specification of the deed that Fortunato has done towards Montessori aside from the subtle allegations some insults hurled upon him which, being rich and famous, may have scarred his pride deeply. Thus the incorrigible punishment such as death should suffice (Cask). The gilded ironic scenes of the story makes the readers acclimate with intellect so as to comprehend their deeper meanings. Other paradox includes, Montressors words to Fortunato you are luckily met, the coat of fortification and the Montressors remarks about the mason, the jingling of the bells to announce a death, their constant toast of wine as if in celebration in contrast with a approaching death, the atmosphere gradient from the carnival feast from that of the path towards Hades, and the remarks of the characters let us be gone to signify death. The elemental ingredients of the short story exemplify improve unity of Poes thoughts and real intentions. He directed to uncover the events through foreshadowing and double-sided meanings in their dialogues. Meanwhile, the total effect of the short story creates an eerie aspect to whoever perc eives. The horrific appeal is so strong that anyone can get captivated with the play of words between the characters. Poe has indeed endowed such compelling bloody act quite so invincibly. His plot for murder is quite flawless, incriminating the enemy with raw avenging without a single pint of trace. Montressor has indeed lived a lifespan with impunity not until five decades. Another Poes work, The Tell-Tale Heart, is yet another magnificent work. It is a profound psychological archetypal for paranoia and sanity. In fact, the story began with the narrator reason himself from the accusation that he is